History enthusiasts gathered to celebrate Puducherry’s rich heritage at the vibrant Pondicherry Heritage Festival, reliving the town’s cultural tapestry and colonial legacy. As the blistering afternoon sun of Puducherry slowly set, a group of history enthusiasts gathered by Palais de Mahe, one of the town’s biggest boutique hotels, to walk through the old town and learn about its unique and interesting history. Puducherry was once occupied by the French and hence, educating tourists about the history and heritage of the town has been of paramount importance for its residents and the Government.

The Pondicherry Heritage Festival (PHF) is one such initiative. For the last 10 years, citizens have come together to educate the locals and tourists about the importance of preserving the unique architecture and culture of the town. At present, visitors who flock to Puducherry for the aesthetic cafés, beaches, and the colonial French architecture have started to take an interest in the town’s history, culture, traditions, and local cuisine. "You will see tour guides giving heritage walks at every corner over the weekends. We have trained a lot of people who now run their own private businesses,” said Ashok Panda, co-convener of INTACH’s Puducherry chapter. Ashok, who has been involved in the restoration of colonial buildings in Puducherry for the last 20 years, conducted a heritage walk as a part of the Pondicherry Heritage Festival on March 1. He started the walk with a brief history lesson about the French rule in India.

"In the 18th Century there were wars between the French and the British, and the town was almost razed to the ground. What we see here today are mostly buildings built after the 1800s,” he said while walking down one of the streets. “Pondicherry was built like a small town in France. The streets are narrow, there is a crossing every 100 metres and the place is for people to walk, and not for cars and big vehicles,” he said, making way for a queue of tourist vehicles to pass through. Since the coastal town does not have a natural deep sea port, the British did not find it to be of much strategic importance, especially since they had already occupied Madras.

"The French, however, built a jetty into the sea, where the ships could be stationed and goods, loaded and unloaded.” The French influence is still very visible in the old town in the form of street names and sign boards in French, English, and Tamil. One of the oldest buildings that still stands tall, is a high ceiling, pillared white building with an open courtyard and intricate French detailing and windows. The building is currently used by the Catholic Church — the sisters of Cluny, which is a French catholic order, as their embroidery centre. Till date, the old town of Puducherry is governed by rules of design for new buildings popping up to maintain the aesthetic value. “The rules clearly state that the front of any new building coming up, will need to have a beautiful front matching the French style of architecture. The buildings cannot be over two storeys high,” said Ashok, adding that since Puducherry’s climate is warm all year-round, the buildings tend to have higher ceilings and an open courtyard for cross-ventilation. The walk concluded after a visit to the Notre Dame des Anges Church right on the promenade. The pink domed church with vaulted ceilings and beautiful stained-glass windows is the oldest building standing tall in the town, built in 1855.

https://www.thehindu.com/life-and-style/pondicherry-heritage-festival-showcases-french-architecture-in-a-heritage-walk-led-by-intach/article67916661.ece, March 1, 2024

The anticipated restoration of the two Chota Imambada gates will finally commence. The Lucknow Development Authority (LDA) has joined hands with INTACH (Indian National Trust for Art and Cultural Heritage), a prominent not-for-profit organization for the restoration work. Built on both sides of the Chota Imambada, the gates stand witness to the wear and tear of time, with bricks and walls succumbing to decay.

Set to kick off by the end of March 2024, the restoration project, a collaboration between LDA and INTACH, aims to revitalize these historic structures without affecting the nearby eatery shops. The restoration plan includes employing traditional methods, such as the replacement of damaged bricks with similar lakeshore bricks. Although the comprehensive blueprint has been submitted to the Municipal Commissioner and Divisional Commissioner, the awaited final approval is crucial to initiate the restoration endeavor.

https://www.knocksense.com/lucknow/reviving-heritage-lda-partners-with-intach-to-restore-chota-imambadas-historic-gates, March 2, 2024

WWF EIACP PC-RP, under Ministry of Environment, Forest and Climate Change today celebrated World Wildlife Day, 2024, by organisingvarious activities at Okhla Bird Sanctuary, one of the places blessed with a rich biodiversity focusing Mission LiFE. World Wildlife Day (WWD) is celebrated every year on 3 March to celebrate wild animals and plants. Every year, we recognize the unique roles and contributions of wildlife to people and the planet. The theme for this year is Connecting People and Planet: Exploring Digital Innovation in Wildlife Conservation. World Wildlife Day 2024 is a platform for intergenerational exchange and youth empowerment through art, presentations and conversations on the opportunities ahead for our shared sustainable future in digital wildlife conservation. This day offered a jumping off point for exploring what digital innovations are available now, what intersectional discrepancies we are facing and how we want our digital connectivity to evolve for all people and planet.

Technological innovation has made research, communication, tracking, DNA analysis and many other aspects of wildlife conservation easier, more efficient and accurate. We are in the midst of a global digital revolution that is breaking down barriers to people-centered digital governance and to equal opportunities for all to unleash the power of digital transformation. The ‘digital divide’ is slowly narrowing, with better connectivity and Internet access reaching 66 per cent of our global population. The event organised at Okhla Bird Sanctuary witnessed the presence of youth that included school and college students and public participation as well.

ShriPramod Kumar Divisional Forest Officer, Gautam Buddha Nagar, Uttar Pradesh was the chief guest for the event and ShriAmit Gupta, Range Forest Officer, Okhla Bird Sanctuary, Gautam Buddha Nagar, Guest of Honor increased the enthusiasm of the children and were a motivation for them. They also gave lectures on various topics related to wildlife. Dr. G.Areendran, Coordinator, WWF EIACP PC-RP India also was a part of the event and shared his expertise on various topics with the participants. The activities organised were eco trail, poster making and on spot hand and face painting focused on the theme of WWD2024. The event witnessed a total participation of approximately 150 people.

https://pib.gov.in/PressReleaseIframePage.aspx?PRID=2011117, March 2, 2024

Pandavula Gutta, a geological marvel older than the Himalayan hills, has been officially recognised as the sole Geo-heritage site in Telangana. This declaration was made by Bhavesh Mishra, District Collector. In commemoration of the ongoing Azadi ka Amrit Mahotsav, the Geological Survey of India (GSI), Telangana State Unit, Southern Region, organized a Geo-heritage walk at Pandavula Gutta on March 12. This event aimed to raise awareness about the region’s rich geological heritage, blending education, culture, and nature conservation. Bhavesh Mishra along with guests like J Vasantha, District Forest Officer participated in a Geo-heritage walk held at the Pandavula Gutta in Regonda mandal in the district. Addressing the attendees, Mishra stressed the significance of preserving Pandavula Gutta’s geological heritage for future generations.

He encouraged students to consider careers in geoscience and praised the Geological Survey of India’s efforts over its 174-year history. J Vasantha expressed her pride in hosting the event within the forested boundaries of the district and highlighted the unique geological features discovered during field visits. Directors from the Geological Survey of India, A. Anil Kumar and Anup N Kamble, stressed the importance of preserving Pandavula Gutta for its geological significance. Officials from Singareni Collieries Company Ltd (SCCL), the State Ground Water Board of Bhupalpally District, and local residents and educational institutions participated in the event aimed at preserving their heritage and promoting environmental conservation.

https://www.thehindu.com/news/national/telangana/pandavula-gutta-designated-exclusive-geo-heritage-site-in-telangana/article67949723.ece, March 11, 2024

Gujarat has already been hogging all the limelight in the biodiversity conservation scene since Anant Ambani’s Vantara and its menagerie of various endangered species made the news. And now, the state has another conservation success story to show for itself: its Asiatic lions that have long been in danger of disappearing forever. In its recent report, the International Union for Conservation of Nature (IUCN) has reclassified them from "endangered" to "vulnerable," signifying a significant improvement in their conservation status. This is a major win, or should we say roaring success, for Gujarat, India, the sole home of these majestic cats.

The shift in status highlights a stark difference between the threats faced by African and Asiatic lions. The IUCN report estimates a worrying 19 times higher risk of population decline for African lions compared to their Indian counterparts. This is primarily due to rampant poaching in Africa, where habitat loss and fragmentation further squeeze lion populations.

While Africa grapples with these issues, Gujarat has emerged as a safe haven for Asiatic lions. The report states that the probability of the Asiatic lion population declining by a third within three generations is a mere 2% in Saurashtra. This positive outlook can be attributed to several factors: Stronger Conservation Efforts: Gujarat prioritises lion conservation, fostering coexistence between humans and lions. Unlike Africa, where lions are seen as threats to livestock, leading to retaliatory killings, Gujarat fosters tolerance. Reduced Habitat Loss: Asiatic lions in Gujarat haven't faced significant habitat loss.

They're even venturing into new areas, indicating the presence of natural corridors for movement, a critical factor missing in fragmented African landscapes. Minimal Poaching: Gujarat has efficiently tackled the issue of poaching, making it a much safer environment for lions compared to Africa. This positive news comes alongside an interesting update on lion classification. The IUCN has revised the scientific name for Asiatic lions, acknowledging their genetic similarity to their African counterparts. All lions are now classified as Panthera leo leo, with a distinction between subpopulations based on their region.

The future looks bright for Asiatic lions. With continued conservation efforts in Gujarat and plans to expand the Gir sanctuary, these majestic creatures can continue to thrive. This success story serves as an inspiration for global lion conservation efforts, highlighting the importance of habitat protection, human-wildlife coexistence, and anti-poaching measures.

https://weather.com/en-IN/india/biodiversity/news/2024-03-12-gujarat-lions-are-safer-than-african-counterparts-says-iucn, March 12, 2024

01/10A sanctuary of natural wonders
Kaziranga National Park, nestled in the northeastern state of Assam, India, is a sanctuary of natural wonders. While its fame primarily rests on being the abode of the Great Indian One-horned Rhinoceros, there’s much more to this UNESCO World Heritage Site. Let’s explore six intriguing facts that make Kaziranga truly exceptional:
02/10Snake haven

Kaziranga is home to not one, but two of the largest snakes in the world: the Reticulated Python and the Rock Python. These serpents slither through its lush grasslands, adding an element of mystique to the park. And if that’s not enough, the King Cobra, the longest venomous snake globally, also calls Kaziranga its home.

03/10Big cats galore
Beyond Africa, Kaziranga stands as one of the few places where multiple species of large cats roam freely. Leopards and the majestic Royal Bengal Tigers tread silently through its dense forests. Their presence adds an aura of wild elegance to this natural haven 04/10Rhino stronghold

Kaziranga boasts the world’s largest population of the Great Indian One-horned Rhinoceros. These prehistoric-looking creatures graze peacefully in the park’s grasslands. The latest rhino census tallies their numbers at an impressive 2,413. It’s a testament to the park’s conservation efforts.

05/10Tiger territory

Kaziranga isn’t just about rhinos; it’s also a tiger stronghold. The park hosts the highest density of tigers globally. These elusive felines prowl through the tall grasses, their golden coats blending seamlessly with the landscape.

06/10Name origins

The name “Kaziranga” has an intriguing backstory. While legends abound, historians believe it stems from the Karbi word “Kajir-a-rang”, which translates to “the village of Kajir.” Kajir, a common name for a girl child, supposedly ruled this area in ancient times.

07/10British conservation legacy
In 1904, Mary Curzon, wife of Lord Curzon, championed the cause of protecting the rhinos in this region. Her relentless efforts led to the creation of Kaziranga National Park on June 1, 1905. The British legacy lives on, preserving this wildlife haven for generations to come.

08/10Avian paradise

Kaziranga isn’t just about mammals; it’s a haven for birdwatchers too. With over 480 species of birds, including the globally threatened Bengal Florican, the park offers a symphony of avian calls. Keep your binoculars handy—you might spot the greater adjutant stork, the pied kingfisher, or the Indian roller.

09/10Monsoon magic
During the monsoon season, Kaziranga transforms into a magical landscape. The Brahmaputra River overflows, creating temporary lakes and marshes. Rhinos and other animals adapt to this watery wonderland, making it an ideal time for wildlife enthusiasts to visit. The lush greenery and mist-shrouded mornings add to the allure.

10/10The land of red goats
Kaziranga may also mean “land of red goats." The name derives from the Karbi language, where “Kazi” means “goat” and “Ranga” means “red”. This unique association adds a touch of folklore to the park’s rich history and natural beauty.

https://timesofindia.indiatimes.com/etimes/trending/10-lesser-known-facts-about-konark-sun-temple/photostory/108356168.cms, March 15, 2024

The Mangaluru Chapter of the Indian National Trust for Art and Cultural Heritage (INTACH) and Kallacchu Prakashana are organizing ‘Mussanjeya Kavitegalu,’ a Kannada literary meet as part of World Poetry Day, on Thursday, March 21, 2024, at 4:30 PM at the Kodialguthu Centre for Art and Culture, G.G. Road, Ballalbagh, Mangaluru. Reese Mathews, Retired AGM of Canara Bank, will inaugurate. Prof. B. Shivaram Shetty, former Project Director of the Centre of Excellence for Studies in Classical Kannada (CESCK), Mysooru, will preside. Subhas Chandra Basu, convener of INTACH Mangaluru Chapter, will be present. The program includes reading, recitation, and discussion of the works of giants of Kannada literature, such as Govind Pai, Kuvempu, Bendra, Kayyar, Adiga, Lankesh, Nissar Ahmed, Tirumalesh, Siddalingaiah, Vaidehi, and Kaikini. Litterateurs Dr. Meenakshi Ramachandra, Prof. P. Krishnamurthy, Dr. Saigeetha Hegde, Wilson Kateel, Basheer Ahmed Kinya, Diva Kokkada, Prof. Akshay R. Shetty, Divakar Ballal, Shree Mudradi, and Yogish Malligemaadu will participate in the sessions, which will be moderated by Mahesh R. Nayak of Kallacchu Prakashana, Mangaluru. Art Kanara Trust will be extending cooperation to the program. All lovers of literature are welcome.

https://www.mangaloretoday.com/main/INTACH-Mangaluru-Chapter-and-Kallacchu-Prakashana-to-present-Kannada-Literary-Meet.html, March 18, 2024

Honouring the memory of Shi Martand Singh and recognizing his deep interest and outstanding contribution to the field of crafts and textile, The INTACH Martand Singh Memorial Award is an annual award open to all Indian craftspeople contributing to the craft and culture. This year an islander Promotho Mazumder was awarded the 5th Martand Singh award in a ceremony at INTACH Head quarters, New Delhi today. The award was presented by the Chairman, INTACH, General L. K. Gupta (Retd.) in the presence of Member Secretary, Madam C. Mishra and other dignitaries. As communicated by The Convenor of INTACH A & N Chapter, Samhita Veda Acharya.

http://www.andamansheekha.com/126038/, March 19, 2024

A weaver from Chota Udepur is honoured with the INTACH Martand Singh Memorial Award for helping revive the region’s loinloom textile. On March 16, the Indian National Trust for Art and Cultural Heritage (INTACH) hosted the fifth edition of the INTACH Martand Singh Memorial Award. Named after the renowned crafts practitioner, the award recognises artisans in three categories: handicrafts, handlooms and indigenous building (architectural) crafts. This year’s handloom prize recipient is Ratanbhai Vankar, a weaver from Moti Tokri village in the Chota Udepur district of Gujarat, who has received a cash prize of ₹1 lakh and a citation. Ratanbhai has been working on a kasota loinloom revival project with Adivasi Academy, a research institute run by the Vadodara-based Bhasha Research and Publication. “I am happy to receive the award—it’s a good thing because it might encourage others to learn the craft,” the weaver says. Dr Madan Meena, Honorary Director at Adivasi Academy, credits Ratanbhai—whom he calls kaka (uncle)—for his “pioneering role” in helping the revival process. A traditional loincloth worn by indigenous communities in the region, kasota’s use has dwindled over the years due to evolving notions of modesty and the availability of cheaper, factory-made garment. Many weavers quit the profession—including Ratanbhai who moved to Surat in the ’90s to pursue work in the diamond polishing.

When Dr Meena met Ratanbhai in 2019, the latter had not woven in around 20 years—his loom lay on the roof of his house, in a dilapidated state. The Adivasi Academy team had been going from village to village seeking kasota weavers who could work with on a project to revive the weaving technique and reinvent it for contemporary use. There were few weavers still working, including Lalllubhai (a weaver living in Dhandoda who is the oldest known kasota weaver) and there was little interest in pursuing the project. “Ratanbhai agreed to come, despite the fact that he lived a good 40km from the Academy,” says Dr Meena. “His loom was so broken that we had to bring a carpenter to fix it.” Since then, Ratanbhai has worked with the Adivasi Academy as it has expanded the kasota weaving project to include natural dyeing and organic yarn. Another weaver from Moti Tokri, Govindbhai, has also joined Ratanbhai and they have set up four looms at the campus. “We helped him apply for the award, as he was the first one to come here. He is also good teaching others—he has trained two Adivasi women to weave,” says Dr Meena. “When interns and younger designers want to experiment, Ratan kaka is always the first to take up a challenge.” Despite revival efforts, kasota weaves are still at a nascent stage when it comes to the number of practitioners.

Ratanbhai hopes that his award will draw attention to the craft, and encourage others in the region to pursue it. “I will continue to work as long as my hands and limbs are functioning," he says. "But for the knowledge to be preserved, others have to take up the craft.” The INTACH Martand Singh Memorial Prize was initiated in 2019 by the organisation’s Heritage Crafts and Community Division (HCCD). Martand Singh, whom the award is named after, was one of the founders of INTACH and served as the organisation’s honorary secretary and vice-chairman. According to Vandana Bindu Manchanda, Head – HCCD, it aims to recognise lesser-known craftspeople, who have not received any state or National level awards, but are engaged in the revival of dying crafts. Apart from Ratanbhai, this year’s winners of the prize include Promotho Mazumdar, a terracotta sculptor from the Andaman & Nicobar Islands, and MN Manikandan, a conservator from Kerala known for his efforts in stained glass restoration.

https://www.thevoiceoffashion.com/fabric-of-india/features/spotlight-on-kasota-weaver-ratan-vankar-5870, March 20, 2024

Archaeological Survey of India (ASI) is excavating two mounds in Nachne village, Panna district, Madhya Pradesh, to uncover India's potentially oldest temple. The sites, near ancient Parvati and Chaumukh Nath temples, hold historical significance. Panna additional collector Neelamber Mishra told, "The excavation is being done by the Archaeological Survey of India (ASI)...The excavation work is underway for the last month. According to archaeologists, there is a historic site and through digging they have to find out. On the basis of it the digging is being done. Their main purpose is to trace a historic site which can be hidden beneath the ground.'' Meanwhile, superintending archaeologist of the archaeological survey of India (ASI) Jabalpur Circle Shivakant Bajpai told that the Nachne village is an important village from the point of view of archaeology, there is a Parvati temple. "The digging work is in the initial stage.

Now we have started the digging in the upper part and we reach towards depth then only we will be able to say what is found there. Nachne village is an important village from the point of view of archaeology, there is a Parvati temple. One of the oldest temples of India is Chaumukh Nath Temple...People estimate that such temples can be found here. We estimate that such temples can be found here as soon as the excavation is done," Bajpai said. Madhya Pradesh boasts several ancient temples, including the 'Sanchi 17' from the Gupta period, dating back to the 5th century CE. This temple is considered the oldest surviving complete temple in India till date.

https://timesofindia.indiatimes.com/city/bhopal/hoping-to-find-indias-oldest-temple-asi-begins-excavation-in-panna/articleshow/108675051.cms, March 20, 2024

Rajasthan govt on Saturday officially recognised the 3-km diameter Ramgarh Crater at Baran district, formed 165 million years ago due to a meteor impact, as the country's first geo-heritage site. “In consultation with the Geological Survey of India, the state govt declares Ramgarh Crater as a National Geo-Heritage Site,” said a State Wetland Authority official. Expressing happiness, CM Bhajan Lal posted on X: “Another historic achievement for Rajasthan, the incredible land of cultural, spiritual, and historical heritage... It is a matter of great joy and pride for Rajasthan to officially designate Ramgarh Crater (Baron), India's third meteorite impact crater, as the country's first notified geo-heritage site. Today 'Mhara Rajasthan' is on the global horizon in the field of tourism with new achievements.” The govt notification states Ramgarh Crater is significant for its ecosystem services, biodiversity, cultural, and heritage value for the local communities and society. “This significance is reflected by its status as a declared Conservation Reserve, namely Ramgarh Conservation Reserve, under the Wildlife (Protection) Act, 1972,” it states. The crater forms a circular depression surrounded by hills and forests, and the crater’s lake adds to the landscape's beauty and diversity, supporting a variety of flora and fauna, including rare and endangered species, states the notification, a copy of which is with TOI. The State Wetland Authority official said, Pushkar Talab complex located inside the crater is a source of both saline and alkaline water, adding to the beauty and diversity of the area. “These lakes have been notified as wetlands under the Wetland (Conservation & Management) Rules, 2017,” the official said. Ramgarh Crater exhibits an important interchange of human values within a cultural area, reflected in developments in architecture or technology, monumental arts, townplanning, or landscape design. Bhand Deva Temple, influenced by Chandela dynasty and their temples at Khajuraho, is an example of such interchange. Its construction on a meteor impact crater adds to its uniqueness and significance.

https://timesofindia.indiatimes.com/city/jaipur/rajasthan-govt-recognizes-ramgarh-crater-as-indias-1st-geo-heritage-site/articleshow/108555120.cms, March 21, 2024

01. Throughout history, women have left an indelible mark on India's architectural landscape, their ingenuity and creativity showcased in iconic monuments that stood the test of time, and are witness to their enduring legacy. From sacred temples to majestic tombs, these stunning structures bear the imprint of female visionaries who defied conventions and reshaped history. Read on to know more.

02. Virupaksha Temple, Pattadakal
Commissioned by Queen Lokamahadevi to celebrate her husband's Vikramaditya’s victory over the Pallavas, this sacred structure stands as a testament to her patronage of the arts. She brought skilled sculptors from the Pallava capital of Kanchi, and also oversaw the construction of this architectural marvel, which continues to inspire awe centuries later.

03. Maharani Temple, Gulmarg
Nestled in the picturesque Kashmir valley, this temple was erected by Maharani Mohini Bai Sisodia in 1915. As the wife of Raja Hari Singh of the Dogra dynasty, her architectural prowess shines through in this serene sanctuary, and is a must-visit place for sure.

04. Rani ki Vav, Patan
In the 11th century, Queen Udayamati built this breathtaking structure as a tribute to her beloved husband. Designed as an inverted temple, it features seven levels, and showcases her profound devotion and artistic vision.

05. Humayun’s Tomb, Delhi
Following the demise of Mughal emperor Humayun, his grieving widow, Hamida Banu Begum, commissioned this magnificent tomb in his honour. Designed by Persian architect Mīrak Mīrzā Ghiyās, its grandeur reflects her profound love and reverence for her husband.

06. Moti Masjid, Madhya Pradesh
Sikander Begum, the second Begum of Bhopal, left her mark on history with the commissioning of this exquisite mosque in 1860. Reflecting her refined taste and architectural acumen, it stands as a symbol of her enduring influence in the region.

07. Fatehpuri Mosque, Delhi
Built in 1650 AD by Fatehpuri Begum, a beloved concubine of Shah Jahan, Its architectural splendour continues to captivate visitors, and serves as a fitting tribute to her patronage of the arts. 08. Dakshineswar Kali Temple, West Bengal Rani Rashmoni, a trailblazing leader and philanthropist, endeavoured to challenge societal norms through her activism. Her crowning achievement was the construction of the Dakshineswar Kali Temple, which is a symbol of spiritual enlightenment and social reform in Bengal. 09. Mirjan Fort Renowned for its architectural elegance, Mirjan Fort is believed to have been commissioned by Queen Chennabhairadevi of Gersoppa in the 16th century. Known as India's pepper queen, her legacy endures in this majestic stronghold, a symbol of her indomitable spirit. 10. Itimad-ud-Daulah, Agra

Mughal Empress Nur Jahan immortalised her father, Mirza Ghiyas Beg, with the construction of this exquisite tomb. It took 7 years to complete this delicate-looking structure, whereas its delicate beauty and intricate design shows her enduring love and reverence for her father.

https://timesofindia.indiatimes.com/travel/destinations/9-incredible-monuments-in-india-built-by-women/photostory/108586210.cms?picid=108586226, March 22, 2024

The Mangaluru Chapter of the Indian National Trust for Art and Cultural Heritage (INTACH) and Kallacchu Prakashana are organizing ‘Mussanjeya Kavitegalu,’ a Kannada literary meet as part of World Poetry Day, on Thursday, March 21, 2024, at 4:30 PM at the Kodialguthu Centre for Art and Culture, G.G. Road, Ballalbagh, Mangaluru. Reese Mathews, Retired AGM of Canara Bank, will inaugurate. Prof. B. Shivaram Shetty, former Project Director of the Centre of Excellence for Studies in Classical Kannada (CESCK), Mysooru, will preside.

Subhas Chandra Basu, convener of INTACH Mangaluru Chapter, will be present. The program includes reading, recitation, and discussion of the works of giants of Kannada literature, such as Govind Pai, Kuvempu, Bendra, Kayyar, Adiga, Lankesh, Nissar Ahmed, Tirumalesh, Siddalingaiah, Vaidehi, and Kaikini. Litterateurs Dr. Meenakshi Ramachandra, Prof. P. Krishnamurthy, Dr. Saigeetha Hegde, Wilson Kateel, Basheer Ahmed Kinya, Diva Kokkada, Prof. Akshay R. Shetty, Divakar Ballal, Shree Mudradi, and Yogish Malligemaadu will participate in the sessions, which will be moderated by Mahesh R. Nayak of Kallacchu Prakashana, Mangaluru. Art Kanara Trust will be extending cooperation to the program. All lovers of literature are welcome.

https://www.mangaloretoday.com/main/INTACH-Mangaluru-Chapter-and-Kallacchu-Prakashana-to-present-Kannada-Literary-Meet.html, March 18, 2024

Honouring the memory of Shi Martand Singh and recognizing his deep interest and outstanding contribution to the field of crafts and textile, The INTACH Martand Singh Memorial Award is an annual award open to all Indian craftspeople contributing to the craft and culture. This year an islander Promotho Mazumder was awarded the 5th Martand Singh award in a ceremony at INTACH Head quarters, New Delhi today. The award was presented by the Chairman, INTACH, General L. K. Gupta (Retd.) in the presence of Member Secretary, Madam C. Mishra and other dignitaries. As communicated by The Convenor of INTACH A & N Chapter, Samhita Veda Acharya.

http://www.andamansheekha.com/126038/, March 19, 2024

A weaver from Chota Udepur is honoured with the INTACH Martand Singh Memorial Award for helping revive the region’s loinloom textile. On March 16, the Indian National Trust for Art and Cultural Heritage (INTACH) hosted the fifth edition of the INTACH Martand Singh Memorial Award. Named after the renowned crafts practitioner, the award recognises artisans in three categories: handicrafts, handlooms and indigenous building (architectural) crafts. This year’s handloom prize recipient is Ratanbhai Vankar, a weaver from Moti Tokri village in the Chota Udepur district of Gujarat, who has received a cash prize of ₹1 lakh and a citation. Ratanbhai has been working on a kasota loinloom revival project with Adivasi Academy, a research institute run by the Vadodara-based Bhasha Research and Publication. “I am happy to receive the award—it’s a good thing because it might encourage others to learn the craft,” the weaver says.

Dr Madan Meena, Honorary Director at Adivasi Academy, credits Ratanbhai—whom he calls kaka (uncle)—for his “pioneering role” in helping the revival process. A traditional loincloth worn by indigenous communities in the region, kasota’s use has dwindled over the years due to evolving notions of modesty and the availability of cheaper, factory-made garment. Many weavers quit the profession—including Ratanbhai who moved to Surat in the ’90s to pursue work in the diamond polishing. When Dr Meena met Ratanbhai in 2019, the latter had not woven in around 20 years—his loom lay on the roof of his house, in a dilapidated state. The Adivasi Academy team had been going from village to village seeking kasota weavers who could work with on a project to revive the weaving technique and reinvent it for contemporary use. There were few weavers still working, including Lalllubhai (a weaver living in Dhandoda who is the oldest known kasota weaver) and there was little interest in pursuing the project.

“Ratanbhai agreed to come, despite the fact that he lived a good 40km from the Academy,” says Dr Meena. “His loom was so broken that we had to bring a carpenter to fix it.” Since then, Ratanbhai has worked with the Adivasi Academy as it has expanded the kasota weaving project to include natural dyeing and organic yarn. Another weaver from Moti Tokri, Govindbhai, has also joined Ratanbhai and they have set up four looms at the campus. “We helped him apply for the award, as he was the first one to come here. He is also good teaching others—he has trained two Adivasi women to weave,” says Dr Meena. “When interns and younger designers want to experiment, Ratan kaka is always the first to take up a challenge.” Despite revival efforts, kasota weaves are still at a nascent stage when it comes to the number of practitioners. Ratanbhai hopes that his award will draw attention to the craft, and encourage others in the region to pursue it. “I will continue to work as long as my hands and limbs are functioning," he says. "But for the knowledge to be preserved, others have to take up the craft."

The INTACH Martand Singh Memorial Prize was initiated in 2019 by the organisation’s Heritage Crafts and Community Division (HCCD). Martand Singh, whom the award is named after, was one of the founders of INTACH and served as the organisation’s honorary secretary and vice-chairman. According to Vandana Bindu Manchanda, Head – HCCD, it aims to recognise lesser-known craftspeople, who have not received any state or National level awards, but are engaged in the revival of dying crafts. Apart from Ratanbhai, this year’s winners of the prize include Promotho Mazumdar, a terracotta sculptor from the Andaman & Nicobar Islands, and MN Manikandan, a conservator from Kerala known for his efforts in stained glass restoration.

https://www.thevoiceoffashion.com/fabric-of-india/features/spotlight-on-kasota-weaver-ratan-vankar-5870, March 20, 2024

Archaeological Survey of India (ASI) is excavating two mounds in Nachne village, Panna district, Madhya Pradesh, to uncover India's potentially oldest temple. The sites, near ancient Parvati and Chaumukh Nath temples, hold historical significance. Panna additional collector Neelamber Mishra told, "The excavation is being done by the Archaeological Survey of India (ASI)...The excavation work is underway for the last month. According to archaeologists, there is a historic site and through digging they have to find out. On the basis of it the digging is being done. Their main purpose is to trace a historic site which can be hidden beneath the ground.

'' Meanwhile, superintending archaeologist of the archaeological survey of India (ASI) Jabalpur Circle Shivakant Bajpai told that the Nachne village is an important village from the point of view of archaeology, there is a Parvati temple. "The digging work is in the initial stage. Now we have started the digging in the upper part and we reach towards depth then only we will be able to say what is found there. Nachne village is an important village from the point of view of archaeology, there is a Parvati temple. One of the oldest temples of India is Chaumukh Nath Temple...People estimate that such temples can be found here. We estimate that such temples can be found here as soon as the excavation is done," Bajpai said. Madhya Pradesh boasts several ancient temples, including the 'Sanchi 17' from the Gupta period, dating back to the 5th century CE. This temple is considered the oldest surviving complete temple in India till date.

https://timesofindia.indiatimes.com/city/bhopal/hoping-to-find-indias-oldest-temple-asi-begins-excavation-in-panna/articleshow/108675051.cms, March 20, 2024

Rajasthan govt on Saturday officially recognised the 3-km diameter Ramgarh Crater at Baran district, formed 165 million years ago due to a meteor impact, as the country's first geo-heritage site. “In consultation with the Geological Survey of India, the state govt declares Ramgarh Crater as a National Geo-Heritage Site,” said a State Wetland Authority official. Expressing happiness, CM Bhajan Lal posted on X: “Another historic achievement for Rajasthan, the incredible land of cultural, spiritual, and historical heritage... It is a matter of great joy and pride for Rajasthan to officially designate Ramgarh Crater (Baron), India's third meteorite impact crater, as the country's first notified geo-heritage site. Today 'Mhara Rajasthan' is on the global horizon in the field of tourism with new achievements.” The govt notification states Ramgarh Crater is significant for its ecosystem services, biodiversity, cultural, and heritage value for the local communities and society. “This significance is reflected by its status as a declared Conservation Reserve, namely Ramgarh Conservation Reserve, under the Wildlife (Protection) Act, 1972,” it states. The crater forms a circular depression surrounded by hills and forests, and the crater’s lake adds to the landscape's beauty and diversity, supporting a variety of flora and fauna, including rare and endangered species, states the notification, a copy of which is with TOI. The State Wetland Authority official said, Pushkar Talab complex located inside the crater is a source of both saline and alkaline water, adding to the beauty and diversity of the area. “These lakes have been notified as wetlands under the Wetland (Conservation & Management) Rules, 2017,” the official said. Ramgarh Crater exhibits an important interchange of human values within a cultural area, reflected in developments in architecture or technology, monumental arts, townplanning, or landscape design. Bhand Deva Temple, influenced by Chandela dynasty and their temples at Khajuraho, is an example of such interchange. Its construction on a meteor impact crater adds to its uniqueness and significance.

https://timesofindia.indiatimes.com/city/jaipur/rajasthan-govt-recognizes-ramgarh-crater-as-indias-1st-geo-heritage-site/articleshow/108555120.cms, March 21, 2024

01. Throughout history, women have left an indelible mark on India's architectural landscape, their ingenuity and creativity showcased in iconic monuments that stood the test of time, and are witness to their enduring legacy. From sacred temples to majestic tombs, these stunning structures bear the imprint of female visionaries who defied conventions and reshaped history. Read on to know more. 02. Virupaksha Temple, Pattadakal Commissioned by Queen Lokamahadevi to celebrate her husband's Vikramaditya’s victory over the Pallavas, this sacred structure stands as a testament to her patronage of the arts. She brought skilled sculptors from the Pallava capital of Kanchi, and also oversaw the construction of this architectural marvel, which continues to inspire awe centuries later. 03. Maharani Temple, Gulmarg Nestled in the picturesque Kashmir valley, this temple was erected by Maharani Mohini Bai Sisodia in 1915. As the wife of Raja Hari Singh of the Dogra dynasty, her architectural prowess shines through in this serene sanctuary, and is a must-visit place for sure. 04. Rani ki Vav, Patan In the 11th century, Queen Udayamati built this breathtaking structure as a tribute to her beloved husband. Designed as an inverted temple, it features seven levels, and showcases her profound devotion and artistic vision. 05. Humayun’s Tomb, Delhi Following the demise of Mughal emperor Humayun, his grieving widow, Hamida Banu Begum, commissioned this magnificent tomb in his honour. Designed by Persian architect Mīrak Mīrzā Ghiyās, its grandeur reflects her profound love and reverence for her husband. 06. Moti Masjid, Madhya Pradesh Sikander Begum, the second Begum of Bhopal, left her mark on history with the commissioning of this exquisite mosque in 1860. Reflecting her refined taste and architectural acumen, it stands as a symbol of her enduring influence in the region. 07. Fatehpuri Mosque, Delhi Built in 1650 AD by Fatehpuri Begum, a beloved concubine of Shah Jahan, Its architectural splendour continues to captivate visitors, and serves as a fitting tribute to her patronage of the arts. 08. Dakshineswar Kali Temple, West Bengal Rani Rashmoni, a trailblazing leader and philanthropist, endeavoured to challenge societal norms through her activism. Her crowning achievement was the construction of the Dakshineswar Kali Temple, which is a symbol of spiritual enlightenment and social reform in Bengal. 09. Mirjan Fort Renowned for its architectural elegance, Mirjan Fort is believed to have been commissioned by Queen Chennabhairadevi of Gersoppa in the 16th century. Known as India's pepper queen, her legacy endures in this majestic stronghold, a symbol of her indomitable spirit. 10. Itimad-ud-Daulah, Agra Mughal Empress Nur Jahan immortalised her father, Mirza Ghiyas Beg, with the construction of this exquisite tomb. It took 7 years to complete this delicate-looking structure, whereas its delicate beauty and intricate design shows her enduring love and reverence for her father.

https://timesofindia.indiatimes.com/travel/destinations/9-incredible-monuments-in-india-built-by-women/photostory/108586210.cms?picid=108586226, March 22, 2024

In an effort to safeguard Kashmir’s rich cultural legacy, the INTACH Kashmir Chapter today organized a workshop focused on manuscript conservation and preservation. Held at INTACH’s Training Hall, the event aimed to raise awareness about the significance of preserving the region’s invaluable manuscripts. The workshop highlighted the critical importance of preserving manuscripts as cultural artifacts that offer insights into Kashmir’s traditional knowledge systems, culture, and heritage. Many custodians of these manuscripts lack a comprehensive understanding of their historical and cultural significance, making it imperative to educate and involve the community in conservation efforts, the organizers said. Underlining the urgency of protection, the workshop emphasized that manuscripts contain a wealth of knowledge spanning literature, science, religion, and philosophy. “Without proper conservation, this knowledge could be lost forever due to degradation over time.” The workshop featured presentations by experts, including M. Saleem Beg, Convener & Head of INTACH, J&K Chapter, who covered topics such as types of manuscripts found in the region, conservation challenges, and the services offered by INTACH Kashmir. It is pertinent to mention that INTACH Kashmir provides vital conservation services such as cleaning, repair, and restoration of damaged manuscripts, along with offering archival boxes made of acid-free mount boards for optimal storage. Furthermore, it conducts training programs on basic manuscript care and handling.

https://www.dailyexcelsior.com/intach-hosts-workshop-on-manuscript-conservation/, March 25, 2024

INTACH chairman Major Gen LK Gupta (retd) has nominated Himachal Pradesh state convener Maalvika Pathania to the Governing Council of INTACH. In a press note issued here today, INTACH said that Maalvika’s laudable contribution to the preservation of the tangible and intangible heritage in Himachal was seen with a lot of respect and commitment to keep the traditions and history of the state alive. It was her initial efforts when the Kangra Kala Sangrakshan avam Utthan society was first formed in 1994 at her behest by the Kangra administration. The master craftsmen of miniature painting in Kangra today were her students that she had enrolled at that time under this project. She restored Nurpur murals at the Brijraj Swami Temple in 1995 and with over 30 crafts revival workshops in the district over the years, she gave a major push to women in handicraft conservation and sale. The paper, mural and document workshops done with museums in the state over the years had helped her bring the latest conservation techniques to Himachal.

https://www.tribuneindia.com/news/himachal/maalvika-nominated-to-intach-council-607147, March 28, 2024

During the event, monuments, 1908 flood markers and other aspects associated with Musi were mapped. In a poem, titled ‘Nightfall in the city of Hyderabad’, Sarojini Naidu described the River Musi as a “white river that flashes and scintillates”. In an 1880s photograph captured by Lala Deen Dayal, the vast river can be observed irrigating the paddy fields along its banks, with people and cattle refreshed by its water. Musi makes its way into the stories and narratives of the people as, for centuries, it has acted as a vital lifeline for many communities. Now a stinking sewage drain, the river poses a threat to the communities using its water. Keeping in mind the historic significance of the river and the impact its vanishing would have on the people of the city, The Deccan Archive Foundation (TDAF) collaborated with Indian National Trust for Art and Cultural Heritage (INTACH), Woxsen University’s School of Planning and Architecture (SPA), Aseem, an NGO, and other organisations to hold a workshop, ‘Understanding Musi’ with the students of Focus High School at Darulshifa.

"For a long time, we had intended to get young people interested in the river and its ecology. I and SQ Masood of Aseem organisation got in touch with Focus High School because it is situated right next to the river. They’re very active with the community that lives in and around Musi. We also have been in touch with the Woxsen SPA and thought of involving their students, who were studying the topic of urban design. This helped start a dialogue between the two disciplines of urban planning and ecology,” said Md Sibghatullah Khan, founder of TDAF. The workshop involved seven students from Class 9 and 10 from the high school and five from Woxsen SPA. The three-day workshop comprised discussions around the geography and ecology of the river. The students were then divided into five teams — each school student coupled with a college student — who explored the area around the river while working on different themes such as river infrastructure, road infrastructure, heritage, green spaces, livelihoods and communities.

The introductory talk for the event was delivered by P Anuradha Reddy, convenor of INTACH, Hyderabad, and TDAF. This was followed by site visits, collection of data, introduction to digital tools for map-making led by architect and INTACH programme coordinator, Praveen N Pingali. The TDAF also released a report after the workshop, containing the digital map created by the students as a result of this project. Speaking to TNIE, Pingali said, “This workshop was different from others because it brought school and college students together. For school children, it was very important to start with their memories, stories or narratives that they might have heard from their grandparents. The nature of their association with the river: do they pass through it? Are they asked to look away from it because the river is already considered dead? For architecture students, the focus was on initiatives that can be taken up to revive the river. Both teams came up with a common dialogue."

Pingali pointed out that despite there being references to the river in literature and paintings, the popular culture lacks imagery of a ‘local river’. “There have been mentions of Krishna, Godavari, etc. But the idea of Musi, which begins and ends in Telangana itself, was never embedded in the popular culture,” he said. He also shared with students three case studies of cities in Southeast Asia, where the entire city community came together and worked on the idea of the river edge as a community space, a shared space where citizens can relax. The students, namely Batool Zaidi, Kaneez Sakina, Hadi Abbas, Kannan, Mohammed Ali, Syed Affan and Syed Wahab, were also asked to present their takeaways from the workshop. They wrote poems, essays, and plays and made drawings to express their views. Their teacher — Shaher Bano — also supported them throughout the workshop. “According to me, the highlight of the workshop was visiting the surroundings of the Musi and gathering pictures of its condition. Through this, I gained more information on how our human actions are polluting and damaging the river ecology. In the name of development, we are vandalising both ecology and heritage,” said Syeda Kaneez Sakina from Class 10. Syed Affan, from Class 9 shared his learnings with TNIE, “We learnt that the river originates from Ananthagiri Hills in Vikarabad district and merges with the Krishna river at Wazirabad, and its ‘Sangam’ (confluence) with Esa w

ithin the city. .” Another student, Batool Zaidi said that making digital maps was a new experience for them. “We used Felt.com, a website which is linked to the Google Earth application. It allowed us to upload the pictures we took from the sites and place them on the map. This, being digital, was different from the pen and paper we use in school. Something not known to us before, we thought it could only be done by professionals.” For Kannan, the most challenging part of the project was to collect data. “Since my team focused on the community and livelihoods present around the river, it was challenging to actually find those communities. With the river worsening, the livelihood that was built around it gradually decreased and the only mode of earning money now is through scavenging, cleaning or from dhobi ghats. The fact that it was once a rich ecosystem can be determined by the presence of some very important monuments around the river like the Osmania General Hospital, the high court and the Salar Jung Museum.” While talking about the possible solutions for reviving the river, Syed Wahab said, “In our sessions, we were told about the problems with the river’s current state and how we should not interfere with its course.

This is because if a river is interrupted, it is likely to die. To develop solutions, we should prevent anything from being built on the floodplains.” Meanwhile, the students said that the most viable solution is to leave the river as it is. “If we cease to add more pollutants to the river, it can naturally purify itself. But, due to the presence of a garbage plant and the regular discharge of sewage into the river, these activities lead to further deterioration. All we need to do is halt any construction activity on the floodplains and discontinue the disposal of garbage into the river,” remarked Kannan. The students also said that it is important to educating people about refraining from polluting the river.

https://www.newindianexpress.com/good-news/2024/Mar/31/gifting-cancer-survivors-smiles-one-wig-at-a-time, March 29, 2024

A three-day skill development workshop on handmade pottery making took place from April 1st to 3rd, 2024, at Cotton University, in collaboration Cultural Heritage (INTACH), Assam and Kamrup chapters. This initiative was part of the Skill India and Viksit Bharat initiatives aimed at preserving traditional crafts and fostering skill development. The workshop, coordinated by INTACH's Convener Professor Shiela Bora and Assistant Professor Manjil Hazarika, saw the participation of three trBaihata Chariali, who shared their expertise with the participants. The event was inaugurated by the Registrar of the University, Arindam Garg.

Distinguished personalities including Vice Chancellor Prof. Ramesh Chandra Deka, Pro-Vice Chancellor Prof. Ganesh Chandra Wary, Dean of HSSgraced the occasion. The workshop also received a visit from the Director (in-charge) of the Directorate of Historical and Antiquarian Studies, Govtthe students during the workshop. Arindam Garg and Prof. Shiela Bora highlighted the significance of preserving the art tradition, which has been passed down through generations sihands-on experience in pottery making and were encouraged to carry forward this indigenous heritage.

Throughout the workshop, participants were instructed by skilled craftsmen on various aspects of pottery making; including clay mixing, sculpting, painting ceramics with natural pigments. The practical sessions culminated in the preparation of sun-baked terracotta models and pots for firing. The workshop was hailed as a successful endeavour in preserving indigenous techniques and promoting cultural heritage. Organisers plan to showcaupcoming exhibition, further highlighting the importance of traditional craftsmanship in contemporary society.

https://guwahatiplus.com/guwahati/three-day-pottery-making-workshop-promoting-heritage-preservation-held-at-cotton-university, March 30, 2024

The Manuscript Conservation Centre (MCC) at INTACH here is currently busy with the restoration of a nearly 150-year-old finely written manuscript of the Quran with care and caution. Dating back to 1294 Hijri Calendar—1877 CE—the MCC received the manuscript from a family in Srinagar, which has had possession of it ever since, for restoration so that its legacy is preserved for the future. “We do not know who had wrote it; it is part of a private collection. For the last month, we have been busy with its restoration, doing it page by page and ensuring that its historic importance is preserved,” said Imran Ali, working as a Conservator at INTACH’s J&K chapter office in Lal Chowk. He mentioned that during the restoration, they are ensuring that the essence of the manuscript is kept intact, without adding anything new that does not belong to it or makes it look odd. “What we ensure is restoration, preserving the essence of the historical manuscripts; we make it a point that whatever goes into its restoration does not disturb the balance in any manner,” he said. Giving details about the manuscript, Imran said its size is 23.17 centimeters with a thickness of 6.5 centimeters, using handmade paper throughout, and the writing carried out using insoluble ink. Regarding the condition of the manuscript received at INTACH in December last year, apart from being fragile, it had dust and dirt, ink smudges, lost areas, abrasion, rodent attacks, loose folios, wrinkles, tear crease marks, and mud deposition. After the manuscript was received and the proper assessment was carried out, a treatment plan was outlined, which included dry brushing, pagination, reinforcement, strip lining, binding, full lining, and consolidation. ”So far, I have been able to restore some of its pages in the last month or so, the work is ongoing, and keeping in view its condition, it will take some time,” he said. Interestingly, in the process of restoration of the ancient Quran, the page numbering is an issue for the conservators because the manuscript hasn’t been numbered. “Once we are done with its restoration, it will go to a person who has memorized the Quran; that will ensure the pagination.” It is to be noted that since the start of the work by INTACH in 2022, its MCC has received 106 manuscripts for restoration, with the majority of them from private repositories. Saleem Beg, Convenor of INTACH’s J&K Chapter, told Excelsior that the majority of the manuscripts, according to official figures, are in private possession. “As per the official figures, the number is 40,000; that only emphasizes the need to focus more on such treasures lying in private possession; those under the possession of the Government are around 6-7 thousand,” he said. Beg noted that they have sent two separate proposals to the Director Archives as well as the SPS Museum for the restoration of the manuscripts lying with them; however, those proposals have been pending for quite some time now.

https://www.dailyexcelsior.com/intach-restoring-centuries-old-quran-manuscript/, March 31, 2024