When many heritage sites in the present-day Andhra Pradesh with Kalingan influence need proper listing and preservation, the Odisha chapter of Indian National Trust for Art and Cultural Heritage (INTACH) has started a documentation campaign of these sites. The INTACH’s campaign aims to highlight these sites, ensuring that their historical significance is recognised and protected. By documenting Kalingan heritage sites outside the current boundaries of Odisha, INTACH aims to provide a comprehensive understanding of the region’s historical expanse and influence. According to INTACH Odisha sources, the publishing of this documentation is expected to be completed by the end of this year. The six-member survey team includes Bishnu Mohan Adhikari, Bikram Kumar Nayak, Suman Prakash Swain, Bikash Das, Chiranjib Rout and co-ordinated by Deepak Kumar Nayak (Co-Convenor, INTACH-Cuttack Chapter).

Bishnu Mohan Adhikari, a history researcher-cum-archivist of South Odisha, has said that the Kalingan heritage sites in Andhra Pradesh have a rich tapestry woven with threads of history, architecture, religion and culture. “These sites collectively form a vital link to our past, offering important historical, linguistic, cultural and architectural insights. Their neglect poses a significant threat to our shared heritage. By undertaking a concerted effort to list and document these sites, we can ensure their preservation and continued appreciation by future generations,” he said. “This initiative will not only honour our history but also enrich the cultural fabric of this land and beyond. It will lay the foundation for educational enrichment, cultural appreciation and economic growth in the present and future. The ongoing effort to document Kalingan heritage sites in Andhra Pradesh is a significant endeavour to preserve our cultural and historical heritage that will also act as a vital resource for future generations, researchers and scholars,” said Adhikari, who has been chosen as the only member from South Odisha who can also read, write and speak Telugu.

Many of these sites including temples, palaces, forts, caves, stupas, inscriptions and other archaeological remains all having Kalingan connection are lesser-known and some of them are documented for the first time by the INTACH team. Architectural and cultural elements of the Kalinga style are prominently featured in several locations throughout Andhra Pradesh, highlighting the historical and cultural connections between these regions. Project Coordinator Deepak Kumar Nayak has provided further insights into the project, saying, “Our team has meticulously documented and catalogued numerous historic Kalingan sites, primarily situated in the North Andhra Pradesh region. Our objective is to locate and document as many Kalingan historic sites as possible in all the districts of Andhra Pradesh in the near future,” Deepak added. Eminent historian Ananataram Kar, Sitakanta Rajaguru and many intellectuals of south Odisha have welcomed this project and inclusion of Bishnu Mohan Adhikari in the team from south Odisha.

Bishnu, along with a team of INTACH researchers, had discovered a 1,700-year-old neglected and dilapidated ancient Hanuman idol dating back to the 4th or 5th century at Patikota village near JITM situated on the outskirts of Paralakhemundi which was lying under a tree. They requested the Odisha Government to initiate steps to preserve it. Bishnu also decoded a 238-year-old copper plate of the ancestors of Vikram Deb, the Maharaja of Jeypore, retrieved from a metal scrap trader of Rayagada district. It was issued by Odia King Ramachandra Deva II of Nandapur Samasthana (present day southern Odisha), the old capital of Jeypore kingdom, with his signature. The plate is dated May 31, 1787 AD. The importance of this decipherment shed a new light on the gift of the village ‘Sana Tadama’, situated in south-west direction of Rayagada to ‘God Radhakanta’ for conducting ‘Avadhana (Guru) Varana’ in the temple by the King on the occasion of Jyestha Purnima.

https://www.thehansindia.com/news/national/intach-launches-documentation-of-kalingan-heritage-sites-in-ap-891840, July 8, 2024

Hundreds of Nagabanas across Tulunadu are not only revered as sacred places but also play a crucial role in maintaining the ecological balance of the region, said historian and Tulu Baduku Museum founder Tukaram Poojary recently. Stating that the diverse flora within these sacred groves contributes to sustaining the region’s water table, Mr. Poojary urged the youth to actively participate in preserving Nagabanas, emphasising their dual role as cultural heritage sites and ecological conservation areas. He was delivering a talk on Nagabanas of Tulunadu at the World Snake Day celebrations organised by the Mangaluru Chapter of the Indian National Trust for Art and Cultural Heritage here.

Explaining the significance of the worship of Naga among the Tuluvas, Mr. Poojary also shared various popular stories that reflect the evolution of beliefs surrounding Nagas and Nagabanas. The programme continued with a discussion session, featuring questions from the audience, including contributions from Jyoti Chelairu, Rajaram Tholpady, and others attendees. Author and researcher on Tulu culture Indira Hegde wrapped up the discussion by exploring the broader cultural context of Naga worship across different regions, noting that Odisha has the largest following of this tradition. She also explained the local belief in Tulunadu that “Naga” means water and discussed the concept of “Naga Beedhi” (the way of water), where it is considered inauspicious to build structures. Mangaluru INTACH Convener Subhas Chandra Basu was present.

https://www.thehindu.com/news/cities/Mangalore/nagabanas-play-a-crucial-role-in-maintaining-ecological-balance-of-the-region/article68418631.ece, July 9, 2024

A group of passionate environmentalists in Vizag, led by former environment and botany professors from Andhra University, have identified nearly 800 heritage trees within the urban landscape of Visakhapatnam. The Indian National Trust for Art and Cultural Heritage (INTACH) Vizag chapter is now planning to formalise and document these ancient giants with the expertise of these professors. These heritage trees, some over 200 to 300 years old, hold immense cultural, historical, and ecological significance, having silently witnessed Vizag's evolution over centuries. For instance, a tree near the Waltair divisional railway manager’s office, documented to be 130 years old, proudly bears a sign from the railways denoting its age. Dr K Kameswara Rao, a retired professor of environmental science at Andhra University who is leading the initiative, told TOI, "These trees, averaging around 50-100 years old, play a crucial role in soil conservation, water recharge, and supporting local flora and fauna. For example, the giant banyan tree inside the Andhra University Directorate of Admissions may sequester around 5,000 tonnes of carbon dioxide over its lifetime. Similarly, the heritage trees located on the campus of Andhra University significantly aid in recharging the water table across nearly 15 to 20 colonies surrounding Andhra University." Prof. Y Venkateswara Rao, a retired professor and former head of the botany department at Andhra University, is also lending his expertise to the project. On Sunday, the INTACH Vizag chapter conducted a three-hour heritage tree walk in Visakhapatnam. Chapter convenor Dr D. Rajasekhar Reddy and co-convenor Dr B. Surendra Kumar proposed a comprehensive survey to identify and document these invaluable trees. Several INTACH Vizag chapter members and enthusiastic environmentalists, including Edward Paul, Jayshree Hatangadi, Mayank Kumari Deo, P Venkataramana Reddy, Tanmay Mukhopadhyay, Vivek Rathod, and others, participated in the walk. The INTACH members discussed the development of tailored conservation plans for each identified tree. A key point raised during the walk was the importance of encouraging local communities to participate in preservation efforts through awareness campaigns and educational workshops. The discussion also suggested enhancing existing laws, such as the AP Biodiversity Act, to provide stronger protection for these heritage trees. They also deliberated on making various school clubs of INTACH part of the initiative. Prof. Kameswara Rao explained the significance of each tree to the walk participants and how they are contributing to the betterment of the ecology. He said that these trees harbour a lot of microorganisms and support 200 to 300 other species. “While some serve as seed dispersers, others work for ecosystem sustainability, supporting other flora and fauna, and saving rainwater runoff,” said Prof. Rao.

https://timesofindia.indiatimes.com/city/visakhapatnam/vizag-boasts-of-800-heritage-trees/articleshow/111389885.cms, July 10, 2024

The Mangaluru chapter of the Indian National Trust for Art and Cultural Heritage (Intach) recently held a certificate distribution ceremony for its ‘My Monument Search’ poster competition for children at the Kodialguthu Centre for Art and Culture. ‘My Monument Search’ is a national poster competition organised by the Heritage Education and Communication Service (HECS) division of Intach, New Delhi. Participants created posters depicting a heritage building in their region, accompanied by a caption and a brief essay on how to protect it. The contest aims to promote cultural exploration and education among children. As many as 29 students from seven schools participated in the contest, which was held at the Mizar Govinda Pai Memorial Hall, Canara High School, Urwa, on Feb 24. Their entries were sent for national evaluation, where both national and regional prizes are awarded. Adit, a Class VII student at Canara Higher Primary School, Urwa, has been chosen for the national award. He is the first student from Mangaluru to receive this honour. Adit is one of 15 students selected from among 5,628 participants representing 670 schools nationwide. He will receive a fully sponsored trip to Delhi, where he will tour heritage monuments with the HECS Intach, New Delhi team, along with the other national award winners. Adithi, a Class VII student at Vasudeva Kripa Vidya Mandira School, Bailoor, Udupi, and Avani C Kamath, a Class VIII student at St Aloysius Gonzaga School, Mangaluru, won the regional award. H Poornendu Rao, a Class VIII student at Canara High School (Main), received the chapter level award. Students from Canara High School, Dongerkery, and Nalanda English Medium High School were awarded certificates of participation.

https://timesofindia.indiatimes.com/city/mangaluru/class-vii-student-wins-national-award-for-my-monument-search-poster-competition/articleshow/111389854.cms, July 11, 2024

An upcoming exhibition in the city will view India’s ancient stepwells from a fresh perspective, aiming to raise awareness about these architectural marvels alongside highlighting their vital role in the realm of water conservation — especially in the face of climate change. Chartered accountant-turned-artist Rashmi Ghosh, whose art will be on display at the event, traces her fascination with stepwells back to when she visited the Naktya Raviyachi Vihar in Karad in 2022.

A significant breakthrough that led to her tryst with stepwells was brought about by a session with Canadian artist Drew Harris. “We discussed stepwells as the theme for my art project. This led me to visit stepwells in Maharashtra and other arid regions of India, such as Gujarat, Rajasthan, Delhi, and Andhra Pradesh, further deepening my artistic journey,” Ghosh said. She has visited over 40 stepwells across the country to embark on a deeper study of these visually stunning, complex and utilitarian structures by engaging with guides, locals, archaeologists and more. Over time, her art has evolved from figurative drawings to an in-depth study of stepwells through her art. Ghosh explained that their fractal geometry with repeated patterns at uniform intervals, juxtaposed with intricate carvings of idols and cultural motifs, all captured her interest. “The depth of these stepwells reflects the water table at the time of their construction.

Many are adorned with remarkable sculptures. These structures, having been constructed with ingenuity over different periods of time, display varied architectural plans and designs,” she said. Her solo mixed media exhibition on the topic, titled ‘Mapping Stepwells: A Visual Narrative’, has been curated by Nalini Malaviya and organised by IGA Galleria. It will be held at Monalisa Kalagram in Koregaon Park from June 21-30.

https://timesofindia.indiatimes.com/city/pune/city-based-artist-to-highlight-indias-ancient-stepwells/articleshow/111151109.cms, July 12, 2024

A team of archeologists has stumbled upon an ostrich nest that dates back 41,000 years, the oldest found in the world. Archaeologists from the Vadodara-based MS University, Germany, Australia and the US found the oldest archaeological evidence while investigating a fossil-rich site in Prakasam district of Andhra Pradesh. The nest was the home of 9-11 ostrich eggs. Typically, the ostrich nest is 9-10 feet wide and can accommodate 30-40 eggs at a time. Scientists say this finding is crucial in finding out why megafaunals (animals weighing more than 40kg) went extinct in India.

The discovery of nearly 3,500 pieces of ostrich eggshells from an area as small as 1x1.5 meter is not only the first evidence of the presence of ostrich in southern India but it is also the first time that archaeological evidence of a 41,000 years old ostrich nest has been established. Interestingly, archaeologists who are studying the late quaternary megafaunal extinctions (2 million years to till date) in India have also excavated a complete skeleton of a crocodile in an articulated position that dates back to 50,000 years – a rarity in Indian as well as global context. Megafauna refers to animals like horses, elephants, cattle and hippopotamus. Some of these megafauna became extinct around 40,000 years ago from the world. “The oldest ostrich eggshell pieces were discovered from the Siwalik Hills on the Indian side of the Himalayas,” said Devara Anilkumar, assistant professor at the Department of Archaeology and Ancient History at MSU.

https://timesofindia.indiatimes.com/city/vadodara/worlds-oldest-ostrich-nest-discovered-in-andhra/articleshow/111243528.cms, July 13, 2024

Last year, archaeologists had unearthed four potsherds with Tamil letters -- notable being the one with Puli (Tiger) written on it, from Thulukarpatti in Tirunelveli district. Archaeologists have unearthed a potsherd with Tamil letter ‘Tha’ inscribed on it from Keeladi, a Sangam-era urban settlement site on the banks of River Vaigai in Madurai, in the first recovery of Tamili (Tamil-Brahmi) inscribed potsherd in the 10th season of digging whih began on June 18th. The first week of excavation in Keeladi has also resulted in the recovery of over 50 antiquities, beads, spindle whorls, and hopscotch, besides heaps of potsherds. Keeladi, 12 km southeast of Madurai where excavations first began in 2014, bore enough evidence of an urban industrialised settlement, with carbon-dating of artefacts from the site establishing its age to be 2,600 years old. With the Archaeological Survey of India (ASI) pulling out of the digging under controversial circumstances in 2017, the Madurai Bench of the Madras High Court asked the Tamil Nadu State Department of Archaeology (TNSDA) to take over the excavation from 2018.

Over 20,000 artefacts have been unearthed from Keeladi in the past 10 years and the current season is also expected to throw surprises. "The Tamili-inscribed potsherd with the word ‘Tha’ was unearthed from one of the trenches on Tuesday. It was found at a depth of 52 cm. This is the first Tamili-inscribed potsherd this season and we hope to stumble upon more such inscribed potsherds,” a senior official with the TNSDA told DH. Last year, archaeologists had unearthed four potsherds with Tamil letters -- notable being the one with Puli (Tiger) written on it, from Thulukarpatti in Tirunelveli district. The recovery of Tamili-inscribed potsherds signifies that those who inhabited the sites were literate and spoke a language. This week also marked the unearthing of a broken Neolithic hand axe and a terracotta female figurine being unearthed from Chennanur in Krishnagiri district and Vembakkottai in Virudhunagar district respectively.

The axe, which is 6 cm long and 4 cm wide, was found at a depth of 53 cm, while the dimension of the female figurine is 30.7 mm height and 25.6 mm width. The finding of a Tamili-inscribed potsherd assumes significance in the wake of the TNSDA announcing that fresh scientific dates obtained through Accelerator Mass Spectrometry (AMS) dating of samples collected from archaeological sites have pushed the origin of Tamili (TamilBrahmi) script by hundred years to 7th Century BCE. Of the 73 AMS dates obtained from Beta Analytic Laboratory, Florida, US after a detailed analyses into samples collected from excavation sites such as Kodumanal, Keeladi, Korkai, Alagankulam, Porunthal and Sivagalai, the earliest date arrived at is 685 BCE from Sivagalai in Thoothukudi district, sources in the TNSDA told DH. “The calibrated date at Keeladi, an urban industrialised settlement found on the banks of River Vaigai near the ancient city of Madurai, is 679 BCE,” sources had told DH early this month. The launch of excavations comes at a time the exercise has created a buzz in the past few years after they threw up surprises. Artefacts unearthed in Keeladi pushed the Sangam Era to 600

BCE from 300 BCE, rice husks found in a burial urn in Sivakalai was found to be 3,200 years old, and that Tamils were aware of iron technology in 2172 BCE, 4,200 years ago. The carbon dating pushed the Sangam Era by three hundred years that it was thought to be. The Archeological Survey of India, which conducted the first two phases of excavation, also derived the period of the Sangam-era archaeological site to be between 8th century BCE to 3rd century CE. These findings come amidst repeated assertions by Chief Minister M K Stalin that his government will take every step to scientifically prove that India’s history will have to be rewritten from the Tamil landscape, in the light of findings in Keeladi and Sivakalai.

https://www.deccanherald.com/india/tamil-nadu/tamili-inscribed-potsherd-unearthed-in-tamil-nadus-keeladi-3082312, July 14, 2024

Sets the stage for the 46th Session of World Heritage Committee from 21st-31st July, 2024 India is hosting for the first time the UNESCO’s prestigious World Heritage Committee meeting from 21st-31st July, 2024 in New Delhi. As an integral part of the 46th session of the World Heritage Committee, and in the framework of the UNESCO World Heritage Education Programme, the Ministry of Culture is hosting the 2024 World Heritage Young Professionals Forum. Pt. Deendayal Upadhyaya Institute of Archaeology, a sub-office under the Archaeological Survey of India is hosting the Young Professionals Forum under the theme of World Heritage in the 21st Century: Building Capacities and Exploring Opportunities for Youth from 14th to 23rd July 2024, at New Delhi. The event was inaugurated today in the presence of Chief guest, Sh. Govind Mohan, Secretary Ministry of Culture along with Sh. Yadubir Singh Rawat, Director General, ASI, Sh. Vishal Sharma, Ambassador to UNESCO, Sh. Alok Tripathi, ADG (Archaeology), ASI, Sh. Janhwij Sharma, ADG, ASI, Ms Ines Yousfi, Project Officer from UNESCO.

During the course of the Forum, 50 Young professionals from across the globe (20 from India and 30 from outside India) will make presentations. This event would enhance the expertise, skills and capacities of young professionals in protecting, preserving, and promoting our natural and cultural World Heritage. They will discuss and gain in-depth knowledge of the global concepts of World Heritage and Sustainable Development while also having the opportunity to familiarize themselves with the local Indian heritage and its management accompanied by local and international experts. The focus of this year’s sub-themes will be on tackling of the issue of climate change

alongside maintaining the pace of sustainable development. Further, it is optimistically commendable that an integrated scientific and human-centric approach involving latest technological innovations, managerial practices and participative approach with community involvement for the preservation of our rich cultural heritage. In order to supplement their theoretical knowledge, the Young participants would v isit the World Heritage properties which includes Qutb Minar complex, Red fort and Humayun’s Tomb in Delhi and Tajmahal in Agra during this event.

On the concluding day of the Forum on 22ndJuly 2024, these young professionals will present their ‘Declaration’ to the 46th session of the World Heritage Committee which would be held at Bharat Mandapam, New Delhi.

About the World Heritage Young Professional Forum:

The Forum serves as a platform by bringing young people and heritage experts together to foster intercultural learning and exchange. It also provides an opportunity for the youth to meet and learn about each other's heritage, discuss common concerns in preservation and discover new roles for themselves in heritage conservation. Each Forum is focused on a specific topic linked to World Heritage and aligned with the context of the World Heritage properties of the Host Country. Joined by both local and international experts, young professionals will engage in a diverse range of activities such as presentations, roundtable discussions, and site visits. Together, they will delve into the potential of heritage management, focusing on community involvement and shared participation This collaborative approach aims to tackle various sub-themes, including:

Understanding the achievements and challenges of the World Heritage Convention
Climate change and its impact on World Heritage sites
Integrating innovative technologies for the promotion of World Heritage
Leveraging World Heritage conservation as a participative approach alongside with communities
Strengthening sustainable tourism and development through young entrepreneurship

As pivotal figures within their respective localities, the Young Professionals will collaboratively seek avenues to implement the World Heritage Convention effectively in the modern era. Through discussions, they'll acquire deep insights into global principles of World Heritage and Sustainable Development, alongside getting acquainted with the management of India's local heritage. Concluding the Forum, these young professionals will deliver their "Declaration to the 46th session of the World Heritage Committee".

https://pib.gov.in/PressReleaseIframePage.aspx?PRID=2033506, July 14, 2024

Students of the Sri Prakash Vidya Niketan school won national and regional level prizes in the All India Poster Making Competition held by INTACH (Indian National Trust for Art and Cultural Heritage) aimed at promoting the spirit of appreciation, exploration and cultural education. The competition with the theme ‘any one lesser-known built heritage of your region’ was open to students of classes VII to IX, who had to make posters on any unique heritage site of their respective region, either a fort, palace, place of worship, civic building, educational institution, etc.

P. Durga Pranathi of Class IX, one of the 10 national winners, made a poster on the Undavalli caves of Amaravati. She was awarded the prize in Delhi by INTACH principal director Purnima Datt, chairman Anup K. Pujari, and co-founder L.K. Gupta. Ch. Bhavagnya of Class VIII was one among the regional winners. The winners were taken on a heritage tour of Delhi to visit the Prime Minister’s Museum, Anand Gram and Humayun Tomb, among others, to understand and appreciate the rich cultural heritage of India, according to a statement issued by the school on Monday. Sri Prakash Vidya Niketan director Chitturi Vasu Prakash congratulated the winners.

https://www.thehindu.com/news/cities/Visakhapatnam/visakhapatnam-students-bag-prizes-at-intachs-poster-making-competition/article68432981.ece , July 22, 2024

The district chapter of INTACH at its meeting held here on Thursday pointed to the need for preserving heritage sites in Punjab. The meeting was presided over by its convener Dr Baljit Kaur. Co-convener of the local INTACH chapter, Varinder Pal Singh said that in August, a one-week activity of listing the heritage sites would be undertaken.

Besides, Heritage Clubs would be formed and quiz competition held in schools. Dr Baljit Kaur, Varinder Pal Singh, Dr Sukhbir Kaur Aulakh, Navjot Kaur Chabba, Tejwant Singh Chabba, Dr Dinesh Gupta, Dr Harsimran Kaur, Prabhjeet Kaur, Dr Gurinderbir Singh, Amandip Singh, Jarnail Singh, Mandeep Kaur and Harjit Singh Panesar were among those who addressed the meeting. The speakers emphasised on the need to carry forward plantation drive in the month of August too.

https://www.tribuneindia.com/news/amritsar/intach-to-list-heritage-sites-hold-quiz-contests-643458 , July 23, 2024

The Odisha State Chapter of Indian National Trust for Art & Cultural Heritage (INTACH) has started a listing and documentation campaign for Kalingan heritage sites found in the state of present day Andhra Pradesh. Kalinga, historically renowned for its rich cultural heritage, once used to extend its boundaries into parts of present-day Andhra Pradesh, reflecting a broader geographical influence that encompasses diverse cultural practices and architectural legacies across the region. Many heritage sites in Andhra Pradesh with Kalingan influence need proper listing, documentation and preservation. INTACH’s campaign aims to highlight these sites, ensuring their historical significance is recognized and protected. By documenting Kalingan heritage sites outside the current boundaries of Odisha, INTACH aims to provide a more comprehensive understanding of the region’s historical expanse and influence.

The six member’s survey team that includes Bishnu Mohan Adhikari, Bikram Kumar Nayak, Suman Prakash Swain, Bikash Das, Chiranjib Rout will be co-ordinated by Deepak Kumar Nayak (Co-Convenor, INTACH Cuttack Chapter). Project Coordinator Deepak Kumar Nayak has provided further insights into the project, saying, “Our team has meticulously documented and catalogued numerous historic Kalingan sites, primarily situated in the North Andhra Pradesh region. This includes temples, palaces, forts, caves, stupas, inscriptions & other archaeological remains all having Kalingan connection. Many of these sites are lesser-known and some of them are documented for the first time by our team. Architectural and cultural elements of the Kalinga style are prominently featured in several locations throughout Andhra Pradesh, highlighting the historical and cultural connections between these regions. Our objective is to locate and document as many Kalingan historic sites as possible in all the districts of Andhra Pradesh in near future,” Deepak added.

Bishnu Mohan Adhikari, a history researcher and a member of the survey team has stated that, The Kalingan heritage sites present in Andhra Pradesh is a rich tapestry woven with threads of history, architecture, religion, and culture. These historic sites collectively form a vital link to our past, offering important historical, cultural, and architectural insights. Their neglect poses a significant threat to our shared heritage. By undertaking a concerted effort to list and document these sites, we can ensure their preservation and continued appreciation by future generations. This initiative will not only honour our history but also enrich the cultural fabric of this land and beyond, said Sri Hota.

It will lay the foundation for educational enrichment, cultural appreciation, and economic growth in the present and future. The ongoing effort to document Kalingan heritage sites in Andhra Pradesh is a significant endeavour to preserve our cultural and historical heritage that will also act as a vital resource for future generations, researchers, and scholars, said Adhikari. According to INTACH Odisha sources the publishing of this documentation is expected to be completed by the end of current year.

https://odishabarta.com/intach-odisha-launches-the-documentation-of-kalingan-heritage-sites-in-andhra-pradesh/ , July 23, 2024

Students of architecture and civil engineering from different colleges of the city participated in a 10-day workshop on how to conserve and preserve historical stuctures, on Thursday. Organised by Directorate of UP State Archaeology (DUPSA) and INTACH (Indian National Trust for Art and Cultural Heritage) Conservation Institute, as many as 32 students participated in it. Rakesh Kumar Srivastava, a retired exploration and excavation officer, DUPSA, made students aware about how important it is to restore and preserve the historical monuments. Director of INTACH, Dharmendra Mishra informed students about how restoration of monuments is done by Lime Research and Training Centre.

https://timesofindia.indiatimes.com/city/lucknow/conservation-of-historical-monuments-workshop-in-lucknow/articleshow/112027467.cms, July 24, 2024

On July 29, 2024, the country's first sunken museum at the Humayun's Tomb complex, a UNESCO World Heritage Site, will be inaugurated in Delhi. The capital city of India is poised to unveil a groundbreaking addition to its rich tapestry of historical attractions. On July 29, 2024, the country’s first sunken museum at the Humayun’s Tomb complex, a UNESCO World Heritage Site, will be inaugurated in Delhi. This innovative museum promises to offer visitors a unique perspective on Mughal history and architecture, seamlessly blending the past with cutting-edge technology.

Opening to the Public
Following its grand inauguration, the museum will open its doors to the public on July 30, marking a significant milestone in India’s efforts to preserve and showcase its cultural heritage. The Archaeological Survey of India (ASI) has played a crucial role in bringing this project to fruition, working in collaboration with various stakeholders to create a world-class museum experience.
A Star-Studded Inauguration
The inauguration ceremony is set to be a high-profile event, reflecting the museum’s importance in India’s cultural landscape. Union Culture and Tourism Minister Gajendra Singh Shekhawat will lead the proceedings, with the esteemed presence of Prince Rahim Aga Khan adding an international dimension to the occasion.

UNESCO World Heritage Committee Session

The timing of the inauguration is particularly significant, coinciding with the ongoing 46th session of the UNESCO World Heritage Committee in Delhi. This synchronicity underscores the museum’s relevance not just to Indian heritage but to global cultural preservation efforts as well.

Architectural Marvel: A Blend of Past and Present

The museum’s design is a testament to India’s rich architectural heritage, drawing inspiration from medieval ‘baolis’ or traditional water tanks. This unique approach creates a seamless connection between the museum’s modern function and the historical context of its surroundings. Showcasing Mughal Legacy At its core, the museum is dedicated to celebrating the legacy of Mughal emperor Humayun. Visitors will have the opportunity to explore lesser-known facets of the emperor’s life, as well as delve into the rich heritage of the Nizamuddin area over the past seven centuries. Centerpiece and Artifacts The museum’s centerpiece is a striking reminder of the site’s historical significance – the finial of Humayun’s Tomb, which was dislodged during a storm in 2014. This architectural element serves as a powerful symbol of the site’s enduring importance and the ongoing efforts to preserve it. Historical Treasures on Display

The museum boasts an impressive collection of artifacts that offer glimpses into different aspects of Mughal life and culture:

Farmans: Royal decrees that provide insights into Mughal governance An astrolabe: A sophisticated astronomical instrument A celestial sphere from the 1840s: Reflecting the Mughals’ interest in astronomy A warrior’s helmet from approximately the 16th or 17th century: Illustrating Mughal military prowess A Journey Through Time

The museum’s layout takes visitors on a captivating journey through history. Ramps and giant sheesham doorways lead to a subterranean world where the story of Humayun, the scholar and traveler, comes to life through a carefully curated collection of paintings, scrolls, and artifacts. Cutting-Edge Technology

Embracing modern museology, the museum utilizes cutting-edge technology to enhance the visitor experience. A highlight is the meticulous recreation of the 14th-century Nizamuddin Dargah complex’s construction timeline through 3-D videos and detailed wooden scale models.

Strategic Location and Cultural Significance The museum’s location at the entrance zone of the world heritage complex is strategically chosen to serve as a bridge between three significant sites: Nizamuddin

Sunder Nursery

The 16th-century Humayun’s Tomb This positioning reflects the site’s evolving status, from its initial inscription on the World Heritage List in 1993 to the minor boundary modification in 2016 that established it as a heritage complex. Gallery Highlights: “Where the Emperor Rests”

The museum’s first principal gallery, aptly titled “Where the Emperor Rests,” offers a comprehensive exploration of Humayun’s life and legacy: Architectural splendor of Humayun’s mausoleum Emperor’s personality through exhibits depicting his travels, marriage, and administration Humayun’s interests in reading, astrology, and the arts

His patronage of architecture and gardens Immersive Exhibits Visitors can expect a truly immersive experience with:

Architectural models of the tomb Layout plans of the tomb’s first floor Rare paintings Meticulously crafted replicas of chhatris and dome artwork

Digital walls showcasing videos on the mausoleum’s creation Historical Context and Collaborative Efforts The tomb of Humayun, built by his widow Biga Begum (Hajji Begum) in 1569-70, stands as a testament to Mughal architectural prowess and devotion. The museum project, spearheaded by the Aga Khan Trust for Culture (AKTC) on behalf of the ASI, is part of a broader urban renewal initiative, showcasing the power of collaboration in preserving and promoting cultural heritage.

As Delhi prepares to unveil this groundbreaking museum, it not only adds a new dimension to the city’s rich historical landscape but also sets a new standard for heritage preservation and presentation in India. The sunken museum at Humayun’s Tomb is poised to become a must-visit destination for history enthusiasts, architecture lovers, and curious tourists alike, offering a unique window into the grandeur of Mughal India.

https://timesofindia.indiatimes.com/city/lucknow/conservation-of-historical-monuments-workshop-in-lucknow/articleshow/112027467.cms, July 24, 2024

A Testament to Tai-Ahom Culture India is hosting the World Heritage Committee Meeting for the first time. It takes place from 21 to 31 July 2024, at Bharat Mandapam in New Delhi. The World Heritage Committee meets annually and is responsible for managing all matters on World Heritage and deciding on sites to be inscribed on the World Heritage list. The 46th session of the World Heritage Committee in 2024 will examine 27 nominations from around the world, including 19 Cultural, 4 Natural, 2 Mixed sites and 2 Significant modifications to the boundaries. Out of which, India’s Moidams – The Mound – Burial System of the Ahom Dynasty is set to be examined under the category of Cultural Property.

The Tai-Ahom clan, migrating from China, established their capital in various parts of the Brahmaputra River Valley from the 12th to the 18th century CE. One of the most revered sites among them was Choraideo, where the Tai-Ahoms established their first capital under Chau-lung Siu-ka-pha at the foothills of the Patkai hills. This sacred site, known as Che-rai-doi or Che-tam-doi, was consecrated with rituals that reflected the deep spiritual beliefs of the Tai-Ahoms. Over centuries, Choraideo retained its significance as a burial ground where the departed souls of the Tai-Ahom royals transcended into the afterlife.

Historical Context The Tai-Ahom people believed their kings were divine, leading to the establishment of a unique funerary tradition: the construction of Moidams, or vaulted mounds, for royal burials. This tradition spanned 600 years, marked by the use of various materials and architectural techniques evolving over time. Initially using wood, and later stone and burnt bricks, the construction of Moidams was a meticulous process detailed in the Changrung Phukan, a canonical text of the Ahoms. Rituals accompanying royal cremations were conducted with great grandeur, reflecting the hierarchical structure of Tai-Ahom society.

Excavation shows that each vaulted chamber has a centrally raised platform where the body was laid. Several objects used by the deceased during his life, like royal insignia, objects made in wood or ivory or iron, gold pendants, ceramic ware, weapons, clothes to the extent of human beings (only from the Luk-kha-khun clan) were buried with their king.
Architectural Features Moidams are characterized by vaulted chambers, often double-storied, accessed through arched passages. The chambers housed centrally raised platforms where the deceased were laid to rest along with their royal insignia, weapons, and personal belongings. The construction of these mounds involved layers of bricks, earth, and vegetation, transforming the landscape into undulating hillocks reminiscent of celestial mountains.

Cultural Significance The continuity of the Moidam tradition at Choraideo underscores its Outstanding Universal Value under UNESCO criteria. This funerary landscape not only reflects Tai-Ahom beliefs about life, death, and the afterlife but also served as a testament to their cultural identity amidst shifts towards Buddhism and Hinduism among the population. The concentration of Moidams at Choraideo distinguishes it as the largest and most significant cluster, preserving the grand royal burial practices unique to the Tai-Ahoms.

Conservation Efforts
Despite challenges such as vandalism by treasure seekers in the early 20th century, concerted efforts by the Archaeological Survey of India and the Assam State Department of Archaeology have restored and preserved the integrity of Choraideo. Protected under national and state laws, the site continues to be managed to safeguard its structural and cultural authenticity.

Comparisons with Similar Properties The Moidams of Choraideo can be compared to royal tombs in ancient China and the pyramids of Egyptian pharaohs, illustrating universal themes of honoring and preserving royal lineage through monumental architecture. Within the broader Tai-Ahom cultural region spanning parts of Southeast Asia and Northeast India, Choraideo stands out for its scale, concentration, and spiritual significance. Choraideo at the foothills of the Patkai range remains a profound symbol of Tai-Ahom heritage, encapsulating their beliefs, rituals, and architectural prowess. As a landscape shaped by centuries of royal burials, it continues to inspire awe and reverence, offering insights into the cultural evolution and spiritual worldview of the Tai-Ahoms. Preserved through careful conservation efforts, Choraideo stands as a testament to the enduring legacy of the Tai-Ahom civilization in the Brahmaputra River Valley. In conclusion, the Moidams of Choraideo not only embody architectural and cultural significance but also serve as a poignant reminder of the Tai-Ahom people's deep spiritual connection to their land and their departed kings.

https://pib.gov.in/PressReleaseIframePage.aspx?PRID=2035372 , July 25, 2024

Prime Minister Narendra Modi made the announcement, expressing immense pride in India’s heritage. T he historic ‘moidams’ of Assam are on the brink of global acclaim following their recent nomination for the UNESCO World Heritage List. Prime Minister Narendra Modi made the announcement, expressing immense pride in India’s heritage. “This is India’s 43rd World Heritage Site and the first in Northeast India to receive Cultural World Heritage status,” PM Modi stated, underscoring the significance of this recognition. The moidams, ancient burial mounds of the Ahom Dynasty, are celebrated for their unique cultural and historical value. The nomination has received strong backing from the International Council on Monuments and Sites (ICOMOS), which has endorsed the Moidams, further elevating their status on the global stage. ICOMOS is a prestigious body dedicated to the conservation and protection of cultural heritage sites worldwide. PM Modi highlighted the profound cultural importance of the Moidams, noting that their inclusion on the World Heritage List would not only spotlight Assam’s rich heritage but also enhance efforts to preserve these historic sites. “The recognition of the Moidams will not only bring international attention to Assam’s rich cultural heritage but also foster greater appreciation and preservation of these historic sites,” Modi stated. The Moidams, located in Charaideo, are the royal burial grounds of the Ahom kings and queens. The Ahom Dynasty, which ruled Assam for nearly 600 years, left an indelible mark on the region’s history, culture, and architecture. These burial mounds are not only a testament to the dynasty’s legacy but also serve as a significant part of India’s archaeological heritage. The nomination of the Moidams has the potential to attract global tourists and researchers, thereby boosting local tourism and economy. It also places Assam on the global cultural map, drawing attention to the state’s unique historical narratives and architectural marvels. As India hosts the World Heritage Committee meeting, the spotlight on the Moidams symbolizes a broader recognition of the country’s diverse and rich cultural tapestry.

https://www.thestatesman.com/india/moidams-of-assam-nominated-for-unesco-world-heritage-tag-1503323410.html , July 25, 2024

Assam’s unique Charaideo Maidams has been bestowed the coveted World Heritage Site tag of UNESCO in the cultural category. The central government, including PM Narendra Modi, deserves Assam’s gratitude for nominating the “Moidams—the Mound-Burial System of the Ahom Dynasty.” Credit also goes to CM Himanta Biswa Sarma, who was successful in convincing the Centre that the Charaideo Maidam was deserving of this honour. It is due to the collective efforts of state government officials, cultural experts, historians, and others concerned with the preparation of the dossier that

Assam’s unique Charaideo Maidams has been bestowed the coveted World Heritage Site tag of UNESCO in the cultural category. The central government, including PM Narendra Modi, deserves Assam’s gratitude for nominating the “Moidams—the Mound-Burial System of the Ahom Dynasty.” Credit also goes to Chief Minister Himanta Biswa Sarma, who was successful in convincing the Centre that the Charaideo Maidam was deserving of this honour. The preparation of the dossier presented before UNESCO’s World Heritage Committee was crucial in clinching the title of World Heritage Site. The team that prepared the dossier comprised Dr. K.C. Nauriyal, Cultural Expert to the Directorate of Archaeology (DA), Government of Assam; Dr. Deepi Rekha Kouli, Director, DA; Dr. J.N. Phukan, Historian, Assam; Dr. Nabajit Deori, Dy. Director, DA; Dr. Chabina Hassan, Dy. Director, DA; Ajit Kumar Borah, State Archaeological Engineer, DA; Kangkon Jyoti Saikia, Sr. Conservation Officer, DA; Simran Sambhi, Exploration Officer, DA; and Priyanka Patir, Exploration Officer, DA. Two state cabinet ministers, Keshab Mahanta and Nandita Garlosa, were actively engaged in the effort. Great rejoicing and special prayers by the Tai-Ahoms were witnessed at the Charaideo Maidam soon after the announcement was made by UNESCO’s World Heritage Committee, which is meeting in New Delhi for its 46th session. Minister Jogen Mohan was present at Charaideo on the occasion, along with a multitude of locals who were elated at the prospect of this important landmark getting world-wide recognition. This will also spell a new chapter for tourism in the area; they are confident. A brief description of the Moidams: Moidams, a royal mound burial site created by the Tai-Ahom in northeastern India, is situated in the foothills of the Patkai Ranges in eastern Assam. These burial mounds are considered sacred by the Tai-Ahoms and reflect their unique funerary practices. The Tai-Ahom people arrived in Assam in the 13th century, establishing Charaideo as their first city and, later, as the site of the royal necropolis. For 600 years, from the 13th to the 19th century CE, the Tai-Ahoms constructed moidams, or “home-for-spirit” in the Tai-Ahom language, using natural elements like hills, forests, and water to create a sacred geography. Believing their monarchs to be divine, the Tai-Ahoms developed a distinct funerary tradition of constructing mounds, or moidams, for

burnt bricks, as documented in the Changrung Phukan, the Ahoms’ traditional canonical literature. Royal cremation rituals were conducted ceremoniously, reflecting the hierarchical structure of Tai-Ahom society. Banyan trees and the trees used for coffins and bark manuscripts were planted, and water bodies were created. Ninety moidams—built of brick, stone, or earth—of different sizes are found within the site. They contain the remains of kings and other royals, together with grave goods such as food, horses, elephants, and sometimes queens and servants. The Tai-Ahom rituals of “Me-Dam-Me-Phi” and “Tarpan” are practiced at the Charaideo necropolis. While moidams are found in other areas within the Brahmaputra Valley, those found at the property are regarded as exceptional. Historical Context: The Tai-Ahom people believed their kings were divine, leading to the establishment of a unique funerary tradition: the construction of Moidams, or vaulted mounds, for royal burials. This tradition spanned 600 years, the construction of Moidams was a meticulous process detailed in the Changrung Phukan, a canonical text of the Ahoms. Rituals accompanying royal cremations were conducted with great grandeur. Excavation of the moidams showed that each vaulted chamber has a centrally raised platform where the body was laid. Several objects used by the deceased during his life, like royal insignia, objects made in wood, ivory, or iron, gold pendants, ceramic ware, weapons, and clothes to the extent of human beings (only from the Luk-kha-khun clan), were buried with their king. Architectural Features: Moidams are characterized by vaulted chambers, often doublestoried, accessed through arched passages. The chambers housed centrally raised platforms where the deceased were laid to rest, along with their royal insignia, weapons, and personal belongings. The construction of these mounds involved layers of bricks, earth, and vegetation, transforming the landscape into undulating hillocks reminiscent of celestial mountains. Cultural Significance: The continuity of the Moidam tradition at Charaideo underscores its Outstanding Universal Value under UNESCO criteria. This funerary landscape not only reflects Tai-Ahom beliefs about life, death, and the afterlife

but also served as a testament to their cultural identity amidst shifts towards Buddhism and Hinduism among the population. The concentration of Moidams at Charaideo distinguishes it as the largest and most significant cluster, preserving the grand royal burial practices unique to the Tai-Ahoms. Conservation Efforts: The Archaeological Survey of India and the Assam State Department of Archaeology have collaborated to restore and preserve the integrity of Charaideo, despite challenges from early 20thcentury treasure hunters. With protection from both central and state regulations, the site is well-maintained to preserve its structural integrity and cultural uniqueness.

https://www.sentinelassam.com/topheadlines/assams-charaideo-maidams-earnunesco-world-heritage-status-celebrating-ahom-dynastys-legacy-and-architecturalheritage, July 25, 2024

The Humayun’s Tomb museum has over 500 unique artefacts. The adventures of Marco Polo, the great traveller are very well known. But it is a little-known fact that Mughal emperor Humayun travelled three times more than Marco Polo, says Ratish Nanda, conservation architect and Projects Director of Aga Khan Trust for Culture, India. According to him, Humayun travelled 34,000 kms during his lifetime as a warrior, through present-day India, Pakistan, Afghanistan, and Iran. Conservation efforts have brought up a museum celebrating the life of Humayun and other Mughals in Delhi’s Sunder Nursery. The museum is a facility of the Archaeological Survey of India designed and built by the Aga Khan Trust for Culture at the culmination of 25 years of conservation effort at the 300-acre Humayun’s Tomb – Sunder Nursery – Nizamuddin Basti area of Delhi, wherein over 60 monuments have been conserved and the Sunder Nursery city park created as part of a single conservation and development project. It is a UNESCO recommendation that Interpretation Centres/ Site museums be provided at the entrance zone of significant World Heritage Sites to provide visitors with the cultural context of the heritage site. The museum building is designed to be underground so as to retain the views of the monuments. The building also serves as an underground bridge connecting the Humayun’s Tomb with the adjacent Sunder Nursery complex. As one descends into the gallery blocks through stone ramps, 40-foot wide 3D illustrations and finely crafted architectural models highlight several World Heritage monuments built here along the river Yamuna. The first principal gallery, ‘Where the Emperor Rests’, is focused on the architecture of Humayun’s Mausoleum and the personality of emperor Humayun – conveyed through stories of his travels, administration of his kingdom, his deep interest in reading, astrology and the arts as well as his patronage of architecture. Exhibits of the 14th century Sufi Saint Hazrat Nizamuddin Auliya, his disciple, poet

Amir Khusrau Dehalvi – who created the Quwwali music genre, Rahim, and Dara Shukoh are also a part of the museum. Ratish Nanda says that the replicas of monuments and cravings on stones at the museum, are a modern marvel of intricate architecture. The Humayun’s Tomb Museum has over 500 never-before-seen artefacts. The original golden finial or Kalash, 18 feet tall, that once crowned the dome of Humayun’s Tomb has been carefully repaired over several years by traditional coppersmiths and finds the pride of place in the museum. The foundation stone of the museum was laid in April 2015. Towards building costs, an initial grant of Rs 49 crore was provided by the Ministry of Tourism, Government of India. The Aga Khan Trust for Culture has also provided significant funds. The 1,00,000 square feet museum at Humayun’s mausoleum will be inaugurated on July 29 by the minister of tourism & culture, Gajendra Singh Shekhawat in the presence of Prince Rahim Aga Khan. According to the management, the museum will lead to a significant increase in the time spent by visitors to the Humayun’s Tomb – Sunder Nursery World Heritage precinct. Over 3,00,000 schoolchildren attend the site annually. The Aga Khan Trust for Culture as Managing Trustee of the Government Sunder Nursery Management Trust will assist the ASI in the management of the Humayun’s Tomb World Heritage Site Museum for a period of 10 years from the date of opening.

https://www.theweek.in/leisure/society/2024/07/25/sunder-nursery-now-homeshumayuns-tomb-world-heritage-site-museum.html, July 26, 2024