Page 8 - Oct-Dec 2017
P. 8

Wealth of Wadya


      The invention and development of each
      instrument has an interesting history.
       anCIent dIvISIOnS                                        mYStICaL mRIdangam

       In  the  Natyashastra  of  Bharat  Muni,                 Mridangam      is  an   Indian
       musical instruments are classified into                  percussion  instrument.  It  is  a
       four groups –                                            favourite of Lord Ganesha and
       1.  Tat Wadya: String instruments                        Nandi. It is also known as       Illustration by: P. Dharani, IX
       2.  Sushir Wadya: Wind instruments                       “Deva Vaadyam”  (Instrument     A,  Govt. Girls’ Hr. Sec. School,
                                                                                                    Orthanadu, Thanjavur
       3.  awanadhha Wadya: Percussion                          of the Gods). It is a double-
          instruments are covered with a   Illustration by: Aanchal, XI,   sided drum made of jackfruit
          membrane mainly of the animal         Pine Hall School,    wood. The mouths are covered with goat skin.
          skin                                      Dehra Dun    Divleen Singh, IX, Springdale Sr. School, Amritsar;  Sahil Khanna, VIII D,
       4.  ghan Wadya: Solid instruments                        Sri Padampat Singhania education Centre, Kanpur
          are made of hard materials such as metal, wood.
                                                                taPPIng taBLa
      nOBLe nadaSwaRam                                          Tabla consists of two drums, the
                                                                bayan and the dayan, almost always
      Nadaswaram is a double reed wind                          played together. The top part of the   Illustration by: Samriti, VIII,
      instrument. It is considered                              drum is covered with goat skin. In   Sri Sathya Sai Jagriti Vidya
      as the world’s loudest non-                               the centre of the skin is the gab, a   Mandir, Darwa, Yamuna
                                                                                                               Nagar
      brass  acoustic  instrument.  It                          black circular area which helps in modulation.
      is played during weddings and   Illustration by: R. Hari Nethra, VIII,
      temples in south India.          Sri Seshaas International Public   G. Sai Devi, VII b, Angappa educational Trust Sr. Secondary School,
                                                  School, Salem  Coimbatore


      StIRRIng SHeHnaI                                          PLaYfUL PakHavaJ

      Shehnai is a wind instrument                              Pakhavaj is a percussion instrument
      from North India played                                   from the Mughal Period. It is shaped like
      during  weddings.  It  is  made                           a barrel with two heads. It is similar to the
      of wood, with a double reed at one end and a metal or     mridangam of South India.  It is mainly used in Dhrupad
      wooden flared bell at the other. It is similar to South India’s   recitals.
      Nadaswaram.                                               b. Madhan, VIII A, Alpha english Higher Secondary School, Puducherry;
                                                                Shalini Soni, G D Goenka International School, udaipur

                                                            dIvIne veena
                              Veena is a stringed Indian instrument with the largest number of varieties. The
                           Veena in its basic shape is made of hollow wood with two gourd resonators. In
                          North India, it is called the Rudra veena, a predecessor of the sitar.  In South India,
      Illustration by: K.   the Saraswati veena continues to be the most popular.
      Likhita, IX A, Bharatiya                                                                    Illustration by: R. Tejaswini,
      Vidya Bhavan’s   S. lakshana, VIII b, Trinity Academy Sr. Sec. School, Thiruvarur; Prakhar Sharma, VIII b, Army Public School,   IX D, Bharatiya Vidya
      Atmakuri Ram Rao   Dhaula Kuan, Delhi                                                         Bhavan’s Atmakuri Ram
      School, Jubilee Hills,                                                                        Rao School, Jubilee Hills,
      Hyderabad      The evolution of the veena can be summed up in seven main stages.
                                                                                                            Hyderabad
                        Harp with                      Veena with
          Harp                                                            Nissari         Saari          Modern
         Stage         a gourd as      Lute Stage       two large         Veena           Veena           Veena
                        resonator                        gourds



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